Tag: video-art

”Vorticity #1” for two players Gloria Damijan (toy piano, percussion, objects, electronics) (Austria) Rebekkah Palov (video: edit, mix displacement) (New York)

on the MARCH 3 NowNet Arts Lab Ensemble: Performance Demonstrations Program

AND

”In 3”

Composer: Sarah Weaver Performers/Improvisers: Viv Corringham (voice, electronics) (New York), Emily Graber (violin) (Pennsylvania), Cassia Carrascoza Bonfim (flute) (Brazil), Biggi Vinkeloe (alto sax) (Sweden), Lynn Baker (tenor sax) (Spain), Colin James Gibson (guitar) (Toronto), James Ilgenfritz (bass) (New York), Diane Roblin (piano, electric keyboards) (Toronto), Gloria Damijan (toys, objects, percussion) (Austria), Jane Wang (multi-instrumentalist) (Boston), Rebekkah Palov (electronics) (New York), Beth Warshafsky (live video) (New York), Sarah Weaver (conductor) (New York) Visual Consultant: Katherine Liberovskaya (New York)

NowNet Arts Virtual Venue

some real-time

Streamed live on Nov 28, 2020 12:30 to 7:30 pm EST

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link: some real-time 6hrs 55min

performing for and with our friend the system:

• One small room, a hallway
• Two black and white video cameras
• One Sandin IP
• One performer / artist-technician rebekkah palov

Thanks to the Division of Expanded Media, School of Art & Design at Alfred University, Joseph Scheer + the IEA, Andrew Deutsch with special thanks to Peer Bode and Devin Henry for their support with this project.

Passage two-channel video

Passage Rebekkah Palov (left), installation view with Monica Duncan projection (right).

Thank you IEA (Alfred) and AC Gallery Beijing. Passage two-channel video was part of the group exhibition Fractured Habitats

Suspension Landscape After the Drought: Camera Views. 2018 Single Channel Video 17:44

The Model of the World Zhangzhou China

IEA and T+H gallery have been selected to represent the United States in this International show in the newly built Museum of Art in Zhangzhou, Fujian Province. The Model of the World, will have twenty-five Alfred participants comprised of IEA artists, faculty, students and alumni whom have been selected by the curators to participate in this extraordinary exhibition...

The Chinese title directly translates to, World view and Viewing the world. The first part called “World View”, generally refers to the meaning that the creation of each artist represents one attitude, or one perspective. These are different worlds between artists as well as different world views. The second part called “Viewing the World”, which indicates personal experiences of the local people in Zhangzhou and all audiences from different places on the planet. Due to different nationalities of the artists, it presents the peripheral view of contemporary art, in the meantime, it explains “perceive the world in the palm of the hand” from Zhu Xi.